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Rock 'n' Roll (kurz für Rock[ing] and Roll[ing]) ist ein nicht klar umrissener Begriff für eine US-amerikanische Musikrichtung der er- und frühen er-Jahre. Rock N Rolla (Originaltitel: RocknRolla) ist eine britische Gangsterkomödie aus dem Jahr Regie führte Guy Ritchie, der auch das Drehbuch schrieb und. Rock-N-Roller RSD2 Wagen-Auflage Schwarz schwarz: lbcbet.co: Musikinstrumente. RockNRoller bei Thomann - Europas größtem Musikhaus. Alles versandkostenfrei, 30 Tage Money-Back und 3 Jahre Garantie. Die Geschichte des Rock'n'Roll ist verwirrend. Denn einerseits begann die moderne Popmusik tatsächlich mit den frühen Elvis-Hits.
Rock-N-Roller RSD2 Wagen-Auflage Schwarz schwarz: lbcbet.co: Musikinstrumente. Rock 'n' Roll (kurz für Rock[ing] and Roll[ing]) ist ein nicht klar umrissener Begriff für eine US-amerikanische Musikrichtung der er- und frühen er-Jahre. RockNRoller bei Thomann - Europas größtem Musikhaus. Alles versandkostenfrei, 30 Tage Money-Back und 3 Jahre Garantie. Councillor Matt King Cookie Check this out Bell For a film so cynically detached, RocknRolla sure can hit the emotional gut-punch buttons for brief but unsettlingly crucial moments. External Reviews. Gary Tiffany Mulheron Robbed of his birthright, Arthur comes up the hard way in the back alleys of the city. Johnny Quid Jeremy Piven Lenny arranged the police to routinely lock up many criminal associates including Archy for years at a time to enhance his own standing in the criminal underworld and to ensure his own freedom.
Turbo Scott McNess Johnny - 12 Years old Tim Wallers Property Lawyer James Greene Judge Jasper Jacob Barrister Joanna Bacon Speeler Girl Johnny Harris Gary Tiffany Mulheron Jackie Ben Caplan Estate Agent Ben Homewood Estate Agent David Sterne Barman Oliver Dimsdale Drowned Sloane Robert Stone Nightclub Bouncer Andy Linden Waster Jason Courtis Accountant Charlotte Armer Nurse Rory Sadler Eton Boy Oliver Dean Eton Boy Anton Saunders Detective Sergeant Barnes James Puddephatt Detective Sergeant Laura McIntosh The Subways Charlotte Cooper With viewers trusted to be familiar with his unique style, Ritchie uses his familiar story template to worm in social commentary amidst his trademark edge and humour, satirising the increasingly developed state of London and the enormous demand for real estate and location.
But this is not the ordinary, romanticized London, as Ritchie's cinematic eye appears determined to capture every last dank, filthy gutter, every ounce of crime and corruption in a fashion akin to the least flattering cinematic depictions of New York.
And yet, amidst the filth and edgy comedy, the occasional moment of raw humanity, flawed as it may be emerges from the fray of unanimously unsympathetic characters, whether it be the vulnerability of rocker Johnny Quid shuddering and rocking back and forth on a drug trip or the witty interplay between 'The Wild Bunch', a trio of hapless thieves.
For a film so cynically detached, RocknRolla sure can hit the emotional gut-punch buttons for brief but unsettlingly crucial moments.
However, in the midst of his caustic reflection on his home town, Ritchie has mercifully left his sense of uproarious fun intact.
After a relatively slow start, serving mostly to set up the convoluted array of characters and plot points the central Maguffin this time being a 'lucky' Russian painting which goes missing the film takes off at the frenzied pace those familiar with Ritchie's work would expect.
Plunging into a fray of hilarious coincidences and situational comedy watch for a priceless slow dance scene and one of the most hysterical sex scenes in many a year , double crosses, intimidation rants, philosophical monologues and the time worn Ritchie tradition of indestructible Russian hit men, it becomes clear that no matter how many similarities it may bear to past work, the delight of seeing a dynamic talent back on the top of his game cannot be understated.
While the hyper-kinetic editing and camera-work and bold music cues of Snatch have been toned down and the casual violence is more removed, the cinematic flavour is unmistakable - Ritchie is back, and just as bombastically entertaining as ever.
As usual, Ritchie's cast rise to the occasion of matching the brilliance of their script and director. Gerard Butler brings an endearing charm to tough talking goofball thug One-Two, inevitably raising laughs whenever on screen and anchoring the film as one of the few likable characters.
Tom Wilkinson takes on the role of resident British mobster with considerable aplomb, spitting out his lines with a vindictive joy and proving easily more than adequate on the intimidation front.
Thandie Newton evokes an alluring mysterious air as a devious accountant playing each side of the conflict against each other, exuding a subtle quirkiness in her execution of the traditional femme fatale figure.
Mark Strong delivers harried menace and perfect comic deadpan as Wilkinson's right hand man, crafting another memorable Ritchie reference with the "Archie slap", and Idris Elba and Tom Hardy are fittingly hilarious as One-Two's bumbling fellow hard men Mumbles and Handsome Bob.
Finally, Toby Kebbell eerily essays the most commanding character on screen as allegedly deceased rocker Johnny Quid. A narcissistic, painfully vulnerable, haphazardly philosophical and cheekily insulting pile of flaws and potent observations, Quid is as classic as any of Ritchie's more beloved characters, and Kebbell's off-kilter performance rivets the viewer's attention - whether hilarious or tragic, he is always invariably impossible to ignore and far too interesting to discount.
While the occasional cry of rehashing story elements from past successes may be raised, Ritchie's return to form is too supremely entertaining to dwindle under such complaints, as the formula proves to have just enough shelf life along with countless inspired tweaks to remain miles ahead of any stylistic impersonators.
For any finding the cinema's fare too dull or uninspired, fear not - a genuine talent has re-emerged, and RocknRolla proves just the antidote to the hackneyed mainstream offshoots which slunk up in his absence.
The prospect of the announced two sequels is mouth watering indeed - if anything should prove indicative of the film's quality, it is that.
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Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. When a Russian mobster orchestrates a crooked land deal, millions of dollars are up for grabs, drawing in the entire London underworld into a feeding frenzy at a time when the old criminal regime is losing turf to a wealthy foreign mob.
Director: Guy Ritchie. Writer: Guy Ritchie. Available on Amazon. Added to Watchlist. From metacritic. Movies that Deserve Sequels.
A scheduling conflict prevented director Guy Ritchie from casting actor Jason Statham , who had appeared in four of his previous films.
The critical consensus states: "Mixed reviews for Guy Ritchie's return to his London-based cockney wideboy gangster movie roots, but most agree, it's a step in the right direction following two major turkeys.
IGN gave the film a positive review with four out of five stars, saying "[Guy Ritchie is] hardly re-inventing the wheel with this movie, but RocknRolla is nonetheless a comedy thriller that is every bit as accomplished as his early work, and without doubt a witty, adrenaline-fuelled blast from start to finish.
The film hit No. Newton revealed that Ritchie stated that he hopes to extend RocknRolla into a trilogy , in the event that the film receives enough positive attention.
According to both the audio commentary and an interview with Ritchie, the second film has been written and is awaiting studio approval.
I've written a script, I think it's a great script, and Joel Silver wants to pay for me to do it. But up until now we haven't had the time to do it.
It's sitting there and we'd all like to do it, it's just a question of when we're going to fit it in. So we'll wait and see. From Wikipedia, the free encyclopedia.
Not to be confused with Rock-n-Roller. Theatrical release poster. Dark Castle Entertainment. Los Angeles Times.
Retrieved 6 January Box Office Mojo. Retrieved 6 June Warner Bros. UK Film Council. Archived from the original on 30 August Retrieved 10 January Evening Standard.
Retrieved 25 June The Times. Herald Sun. Retrieved 22 November